
Your favorite 1073 clone isn’t going to be the same as mine. Some are more heavy handed and sound “thicker,” while other vintage 1073s we have rented have a more open and airy top end with a really defined low-mid. In our years of testing any 1073 against real vintage 1073s, they all sound different. Added to this is the fact that there isn’t any rhyme or reason to which clone any given vintage 1073 unit is most closely going to resemble. With so many different 1073 options, we find it amazing that rented vintage 1073s always sound different from each other. If 1073s aren’t right, you’ll find you get too much lower frequency mud and a lack of clarity in your mixes. For the 1073, that means having “weight” and “depth,” but it also means having clarity and the ability to stack a lot tracks together in the mix. There are a lot of great versions of the 1073, and they are all a little different.įor us, it all starts with getting the right tone. At any point in our studio, we have had four to five different “1073-style” preamps that we could choose from. Not only one of the most recognizable preamps on the market today, but almost certainly the most copied, the 1073 has been a staple in recording studios for decades.
